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[Official Site]

Reviewed:
  1. Moon in the Scorpio (1996)
  2. In Abhorrence Dementia (1997, Nocturnal Art)
Remarks:

Country: Norway

Lineup: Morfeus: guitar, vocals, keyboards; Daemon: vocals, guitar, lyrics


Moon in the Scorpio (1996, Nocturnal Art)

After listening to the superb "In Abhorrence Dementia" I went (online) and bought the other three Limbonic Art albums I was able to uncover, this being one of them. MITS is the first full-length CD the band released (not counting the demo re-recordings available on the 1998 between-album gimmick "Epitome of Illusions"). Despite my heightened expectations, the album did not let me down. It is an incredible piece that clearly foreshadows what was to come. The symphonic evil blackness alternates with calm piano passages, Latin chants, and majestic eerie atmospheres. In a typical BM fashion, the drums fill in just about every beat humanly (and computerly) available. Nevertheless, the music does not suffer from overcrowding.

Style-wise, LA could be compared to Dimmu Borgir of SBD period and Covenant of the Nexus Polaris era... taking a second to dodge sharp pointy objects flying uncomfortably close to my head... Seriously, the comparison does not do justice to the band, but is as close as one can get. The music is much more complex than DB and more engaging than the usually bland Covenant. It is very aggressive but manages to retain a lot of dignity, although I wouldn't brag about writing the lyrics if I were Daemon.

Clocking in at close to 60 minutes, the album is a worthwhile hunt even though it might take some time to find in the US.

Verdict: Very cool, surreal, atmospheric, symphonic black metal.

 

In Abhorrence Dementia (1997, Nocturnal Art)

As hinted in the review of LA's debut, this album was my first acquaintance with the band. Simply put, this is one incredible piece of music. The production is stellar, but it is the compositions that carry the heaviest load and deserve all the superlatives you may have already heard. Almost every song begins with a cool atmospheric (sometimes symphonic) introduction to set the mood and then explodes in a grim merciless blaze of sound. The songs are quite brutal and frenzied yet still manage to come off as melodic, much like the recent Emperor releases, except LA is far more coherent and not as prententious. Although the drum machine annoys the hell out of me, it is a small price to pay for such a masterpiece. The title piece has an eerie intro that could be the soundtrack to a horror movie, but my favorite song is the third---"A Venomous Kiss of Profane Grace."

Verdict: Perhaps the best Limbonic Art release to date.